How To Write A Good Descriptive Essay

TIP Sheet
WRITING A DESCRIPTIVE ESSAY

The aim of description is to make sensory details vividly present to the reader. Although it may be only in school that you are asked to write a specifically descriptive essay, description is an important element in many kinds of writing. Description embedded in an argument paper, for example, may be intended to make a position more persuasive. However, in this TIP Sheet we will discuss the descriptive essay as it is commonly assigned by instructors as an exercise in organizing sensory information and choosing vivid details.

Showing vs. telling
Sensory details are details of smell, taste, texture, and sound as well as sight. If you choose "showing" words, those that supply vivid sensory details appropriate to your subject and purpose, you will succeed in showing rather than telling. "Telling" words are usually vague or ambiguous; they can be interpreted in a variety of ways. The following first example mostly makes statements about what is lacking in the room, whereas the second example describes the sights, textures, smells, and sounds of the empty room:

Telling:
The empty room smelled stale and was devoid of furniture or floor covering; the single window lacked curtains or blinds of any kind.

Showing:
The apartment smelled of old cooking odors, cabbage, and mildew; our sneakers squeaked sharply against the scuffed wood floors, which reflected a haze of dusty sunlight from the one cobwebbed, gritty window.

"Showing" uses very specific details: cabbage and mildew, scuffed and dusty floors, unwashed windows. Though the writer of the second example does not actually use the word "empty," she nevertheless suggests emptiness and disuse. The suggestion of emptiness in the second example is more vivid than the statement of emptiness in the first. If you don't think the first example is vague, look at another possible interpretation of that empty room:

 

Showing:
The sharp odor of fresh paint cut through the smell of newsprint. Four stacked cartons of inkjet printer paper sat squarely in the middle of a concrete floor, illuminated by a shaft of morning light from a sparkling chrome-framed window on the opposite wall.

Do not mistake explanation for description. Explanation is a kind of telling that interjects background material that does not contain sensory details or contribute to the overall effect–a character's motives or history, for example:

Explanation:
The tenants had moved out a week earlier because the house was being sold to a developer. No one had bothered to dust or clean because they assumed the apartment was going to be knocked down and replaced with single-family homes like those built just a block away.

When description devolves into explanation (telling rather than showing), it becomes boring.

Observing details
Once you are ready to abandon the attempt to explain or to tell about, evaluate your subject in terms of visual, auditory, and other sensory details. Think in concrete terms. The more you are interested in and connected to the subject, the easier it will be to interest your reader, so if you describe a person, choose a person whose characteristics stand out to you. If you describe a place or a thing, choose one that is meaningful to you.

You are painting a picture that must be as clear and real as possible, so observe carefully and, preferably, in person. Note what sets this subject apart from others like it. If the subject is a person, include physical characteristics and mannerisms. Describe abstractions such as personality traits only insofar as you can observe them. For example, do not tell the reader your biology instructor is a neat, meticulous person; show your reader the instructor's "dust-free computer monitor and stacks of papers with corners precisely aligned, each stack sitting exactly three thumb-widths from the edge of the desk." How a subject interacts with others is fair game for description if you can observe the interaction. On the other hand, a subject's life history and world perspective may not be, unless you can infer them, for example, from the photos on his walls or the books on his bookshelf.

Similarly, if the subject of your description is an object or a place, you may include not only its physical appearance but also its geographic, historical, or emotional relevance-as long as you show or suggest it using sensory details, and avoid explaining.

Deciding on a purpose
Even description for description's sake should have a purpose. Is there an important overall impression you wish to convey? A central theme or general point? This is your thesis; organize your essay around it. For example, you might describe your car as your home away from home, full of snack foods, changes of clothing, old issues of the Chico News & Review, textbooks, and your favorite music. Or, you might describe your car as an immaculate, beautiful, pampered woman on whom you lavish attention and money. Just don't describe your car in cold, clinical detail, front to back (or bottom to top, or inside to outside) without having in mind the purpose, the overall impression you want to create. To achieve this impression, you should not necessarily include all details; use only those that suit your purpose.

Avoid telling a story unless it is of central importance to the description or an understanding of it. Keep background information to an absolute minimum or avoid it altogether.

Organizing
Extended description that lacks organization has a confusing, surreal quality and easily loses readers' interest, so choose an organizational plan. Use whatever progression seems logical–left to right, inside to outside, top to bottom-and stick to it. For example, it does not make sense to describe a person's facial features and hair, then his sonorous voice and impressive vocabulary, and then return to details about his eyebrows and glasses.

A quote from your subject or a brief anecdote about him or her may provide an interesting introduction (or conclusion); dialogue can be a great way to add interest to a descriptive essay. In your introduction, you might be permitted to make general, abstract statements (tell about) your subject or supply background information, as long as you demonstrate these points concretely later in the body of your essay.

Use vivid nouns, verbs, and adjectives, and appropriate metaphors, similes, comparisons, and contrasts. Avoid clichés.

Like the introduction, the conclusion is another place you can get away with reflecting about your subject: Why did you write this description? What is its significance to you? To your reader? If you have achieved your purpose, your conclusion should only confirm in the reader's mind what you have already shown him by your use of selected sensory details.

Now that you have chosen a topic that is worth taking the time writing a descriptive essay about, it is time to write an outline. Outlines may seem like a waste of time, but, since organization is essential for every type of essay out there, it will be worth the extra effort in order to write a good descriptive essay.

I like to take the ideas from my brainstorming and put them in logical order first. Then I set up my outline with my topic on top (titles are best when chosen last) and then list each idea with at least three bits of supporting evidence beneath them. Here is a basic layout for an outline like this:

Topic

Intro

1. Idea

2. Idea

3. Idea

Conclusion

Although descriptive essays allow for a lot more creativity than other types of essays, it is important to recognize the need for organization since, like I mentioned already, organization is essential for every type of essay out there. You can have any amount of ideas within your descriptive essay that support your main topic. Remember that each idea for this outline represents a paragraph, with at least three other ideas to support the main idea for each paragraph, which make up a minimum of three sentences.

An outline not only ensures that your descriptive essay is organized, but it also works as a guide as you write your first draft. As you begin that first draft, keep your outline handy so you stay on track as you are writing a descriptive essay. What you want to focus on for this rough draft is that organization aspect, and then you can perfect your descriptive essay so that it is more appealing for audiences. If you get too caught up in trying to be creative, you may find yourself in a standstill and the writing process may take longer than necessary.

To sum it all up, after brainstorming, you want to create an outline. This ensures that your essay will be organized, which is what your main focus is for your first draft. Once your first draft is complete, any drafts after that should be focused on improving or adding descriptions to make your essay appeal to your audiences five senses/emotions better.

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